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The movie "30 Days of Night" showed vampires in a very unusual light, one that is certainly uncommon at least among movies of vampires, which are often celebrated for being sensual, as well as terrifying. Vampires in a pack formation is very unusual for a vampire movie, especially modern ones. As far as having an actual "pack" of vampires, there are only two other recent movies that give a good comparison to "30 Days," which are "John Carpenter's Vampires" and "From Dusk Till Dawn."

The dignity and class really set these citizens of the night apart from most monster counterparts, but that dignity doesn't exist in "30 Days," as the vampires are almost like the way a traditional pack of werewolves work, and far less human than most other interpretations.

This allows an interesting comparison between the three movies. The pack of vampires in "30 Days" is definitely an aggressive and vicious predatory pack, while "Vampires" has a more traditional "pack" of vampires. There is a definite leader, and vampires falling in behind as a group, but each individual has human level intelligence. In the movie "From Dusk Till Dawn," they look like they are half way between "Vampires" and between "30 Days," but even in "From Dusk Till Dawn" they don't seem to be much of an organized group so much as individuals all doing their own thing.

So which group of vampires is scarier? That's hard to say and maybe depends on what scares you the most. Are you more afraid of the conscious group of these monsters who at least appear human in basic actions and thought and thus can reason and outwit you? Or does the sheer savagery of the "30 Days of Night" pack hit you as a far worse and scarier?

In John Carpenter's "Vampires," the vampire is Valek (Thomas Ian Griffith), who is the intelligent and resourceful leader of a brood of vampires who used one colony as a distraction to lure the vampire hunters out, then came out at night and took out the entire group. These vampires are smart and appear like more traditional vampires: human like and intelligent with superhuman strength.

In the movie "30 Days of Night," the vampires are led by Marlow (Danny Huston), the lead vampire of the pack who speaks an ancient language. The rest are like a pack of wild animals, but animals with a very high intelligence, as they even use survivors for bait. This adds a definite shock value, but there seems to be evidence that a smart person who survives the initial onslaught could hide. These vampires seem more vicious, but less supernatural.

In the movie "From Dusk Till Dawn," there is somewhat of a pack mentality, and a "queen vampire," but even then they don't seem like an organized pack, but just a large group of individuals who are all going ballistic in the same small area. The being trapped is what makes the terror in this movie work best, but these seem to be the least frightening vampires of all three groups.

So which pack of vampires is more frightening? Is it the one that seems to have conscious thought and intelligence among every single one of its members, or is it the one that acts like a pack of the most savage predators in world history? Or is it half way, with a brutal chaotic group inside a closed space?

It's an interesting debate, and one that I think will help reinvigorate interest in a group of monsters who were in anger of becoming stale.

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Aspiring Actors often ask the question "How can I get discovered?" The answer is simple and logical, but on the other hand being discovered as an actor it is far from easy to make happen. At the same time, however, let’s not mislead anyone. Being discovered out of the blue without any preparation or without having done any work is about as likely as winning the multi million dollar lottery. Some people play all their lives and never win!

One way that many actors get discovered is... Are you ready? They POSITION themselves to be discovered! That's right. Read on to see how.

 

By POSITIONING yourself to be discovered I mean:

 

1. Start training and don't stop no matter how good you think you are or how good others tell you are, so that when you do put yourself up in front of the right people, you will be ready!

2. Study the industry. Find out how it works. Find out who casts what, what agents look for in an actor, what the unions do, what the current issues are in the industry, etc.

3. Figure out what your type is. This is a concept you need to be familiar with! It will help you funnel you marketing efforts.

4. Learn basic business, networking and self-promotional skills. So important! You need to make sure you stand out from everyone else. You need to be delicately tenacious as well!

5. Learn how to audition. Auditioning and acting on set are two different beasts. Auditioning is like the serve in tennis. It’s completely different from the rest of the game.

6. Surround yourself with people who are already doing what you want and not with people who are trying to get what you want. You are more likely to learn from people who are already doing what you want to do. So go find them and learn from them!

7. Talk to both working actors, who are making a living from acting as well as to aspiring actors who have been talking a lot over the past couple of years and really haven't done very much. You can learn from both groups! From one you learn what to do. From the other, you will learn how NOT to be.

8. Stay curious and never ever think you know it all. Be humble. You can always get better, whether in your acting technique, auditioning, sharpening your monologue delivery, on-camera technique, learning about the industry or whatever. You never stop learning!

9. Once you start to achieve some success, help others who are in the same position you were once. You'll see that it will pay off.

10. At some point during all this you should ask yourself (and be honest) if you really, honestly and truly have the passion for acting to DO WHAT IS NECESSARY to succeed. Without that passion much will be lost and it will be difficult for you to achieve the success you desire. And what’s more, you probably won’t be very happy.

 

Once you do those things regularly, you will start to intuitively know how to position yourself to be discovered.

 

 

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For the first time in 21 years a French film has scooped top honours for best movie at the Cannes film festival.

“Entre les murs” (The Class) directed by Laurent Cantet won the coveted Palme d’Or on a unanimous decision by the jury.

It was only the fourth time a French production had triumphed since the gaggle of glitterati first started gathering for the annual film festival on the Côte d’Azur in 1946.

The film is a mix of documentary and fiction, following the lives of a class and their teacher in a tough inner city secondary school in Paris over the course of a year.

It was written by, and stars François Begaudeau – himself a teacher – with most of the other roles being filled by real students and teachers.

The president of the jury, US actor Sean Penn, was fulsome in his praise for the winner calling it an amazing film. Before the festival he had insisted that it was impossible to separate film from politics, and had promised that the winning film would be a reflection of the current climate.

Most would agree that “Entre les murs” is just that.

While the win might have come as something of a surprise given the relatively low profile of the film - mainly because it was shown on the last day of competition - there were beaming smiles all round as the French media gave itself a collective pat on the back for the win.

The national state television channel, France 2, was particularly pleased with itself as it was one of the main financial backers of the film and ran a live interview with Cantet, Begaudeau and some of the students at the end of its prime time news on Sunday.

The film isn’t actually due for general release until October this year, but already the culture minister, Christine Albanel, has jumped on the proverbial bandwagon and called for it to be screened in secondary schools throughout the country.

While Cannes attracts filmmakers and actors from around the globe, it’s also a special chance for some of Hollywood’s modern greats to bask in the sun and even more importantly their own glory as they give the assembled paparazzi more than their fair share of photo ops. And this year naturally was no exception.

There was the world premiere of the latest “Indiana Jones” movie with its star Harrison Ford showing up along with the director Steven Spielberg - who popped off to Paris to collect the Legion d’honneur. Of course “Brangelina” pitched up looking resplendently pregnant with twins – well at least one half of them did. Eva Longoria, Dustin Hoffman, Clint Eastwood and many, many others also tripped their way along La Croisette.

So the red carpet has been rolled up and another fun-packed carnival has come to an end.

While France might have triumphed at Cannes, there was no weekend “cultural” double whammy. At Saturday’s annual music jamboree, considered by many to be inappropriately called the Eurovision Song contest, the French contestant, Sébastien Tellier, could only manage 19th place (out of 25).

He notched up a miserly 47 points at the knees-up held this year in the Serbian capital, Belgrade, despite resorting to English lyrics and putting in a performance of his electro-pop “Divine” that by any critical standards was both professional and entertaining.

Still Eurovision, would not be Eurovision without the usual tactical voting as countries awarded top marks to neighbours and (former) political allies. Russia might have been victorious this time around and consequently won the right to host next year’s contest, but already there are calls for the “Big Four” (financial contributors), France, Germany, Britain and Spain to withdraw from future participation.

So no “douze points” for Tellier or France in Belgrade, but top marks at Cannes.

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From being the man on the move in New York to settling down for television and now, setting his sights firmly on Bollywood, Ajay Krish has come along way indeed. At a time when his shows, Ardhangini and Mamta are over and the negotiations with Balaji and 9X are on, Ajay Krish is a happy man. "Television is a lovely medium. It helps you reach the masses. Both my shows were wonderful," says Ajay who is all geared for Bollywood as welll. " Moving on" is what is expected of me now!" philosophises the young man. Admist a busy schedule, we get him to answer a few questions, and he obliges, thereby...

How do you feel with Ardhangini is going off air?
I can't tell how bad I am feeling. Not because it's going off air, but because such a good concept could not be executed and so going off air.

So did you ever expect this to happen?
I myself am a very creative person and honestly somewhere in December or January, I felt that we have missed the boat. There were many changes made which I felt were not appreciated by me as well as the viewers. I sensed that things wre going astray then, and everyone knows that we can't fool the audience.

Who is that one friend you made on the sets of Ardhangini with whom you are going to be in touch forever?
I couldn't one person as the whole unit has been like a family. I am pretty sure that I will be in touch with everyone.

Any other show you are working on?
I have been approached by Balaji Telefims and 9X. Right now talks are on and I am considering few projects.

Do you plan to take up movies in the near future?
Here again, I have been approched with couple of film producers. If everything goes well, hopefully end of this year, I will start shooting.Till then, I can't disclose anything regarding it, as it's yet in the initial stages.

Ardhangini was one different serial of its own kind, so what according to you went wrong?
I would say that the execution was not exactly the way we had conceptualized. Even the storyline wasn't up to the mark.

Will you miss coming to shoot everyday?
For the past three years, I have been working non stop. So believe me, I am definitely going to miss the daily shoots.

You have done two serious roles as Krish in Mamta and Priyam in Ardhangini don't you want to experiment other generes too?
Of course, I want to experiment with other geners too. Being an actor and a creative person, I am definitely looking for something, ' hatke'. But if you ask me, I would say that I want to play a negative character.

It was said that Ardhangini was a tele Devdas and so your role was compared to the Badshah Shahrukh Khan with the kind of hard work you were putting into your character. Tell us honestly, had this ever gone to your head?
Firstly, I am nowhere in this industry when compared to SRK. He is the superstatar. According to me, the moment this serial was compared to Devdas, right there I felt its downfall started. I always said that it's not wise to compare the serial to Devdas or any film for the matter of fact, because it will be like fooling the audience.

Which is that one ' to-die-for' role in television?
I would like to do a gangster's role. I have done family dramas for long time. So that will be a good change.

You are said to be Zee's blue-eyed boy...
I am nobody's blue-eyed boy. If I love a role, I take it up. It is sheer coincidence that both the shows were on the same channel. I am open to anything creative.

Tell us little bit about your personal life?
For the past three years, my personal life has been revolving around sets only. But my two dogs are my lifeline. For them, I go home everyday. Of course my dada is there.

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During recent years a lot of well-known and famous films were shot on Malta, because it turned out that Malta has all conditions to be one of the best places for film making, because today many producers and filmmakers prefer to use natural scenery.
The amazing world of Malta was firstly shown in blockbuster of 2004 “Troy” with such famous movie stars as Brad Pitt and Orlando Bloom. The most part of film was made at Fort Ricasoli, which was built by Maltese Knights in 17th century. “Different Loyalty” with Sharon Stone was also made in Maltese Fort St. Elmo. It was shown as a city of Beirut in the movie. Another big movie “Alexander” also contains several scenes with views of Malta, to be exactly of Grand Harbor of Valetta. In 1995 pirate movie “Cutthroat Island” was also shot in Malta. Such places as Vittoriosa, Fort St. Elmo, Mdina and Maltese Maritime Museum took part in the process of shooting. Some scenes of “Gladiator” with Russell Crowe were also made on Malta. The copy of Roman Coliseum was built in Maltese Fort Ricasoli. In the year 2002 famous movie “The Count of Monte Cristo” was shot in Valetta and Vittoriasa. In genera besides above mentioned movies, a lot of other well-known and interesting films were shot on Malta, like for Example: “Midnight Express”, “The League of Extraordinary Gentlemen”, “Helen of Troy”.
Now Spanish director Alejandro Amenabar is shooting on Malta big film called “Agora” with such movie stars as Max Minghella and Rachel Weisz. This film is to be the largest movie shot on Malta.

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